{"id":4266,"date":"2016-02-10T14:56:44","date_gmt":"2016-02-10T13:56:44","guid":{"rendered":"https:\/\/www.lillegrandpalais.com\/la-relation-entre-le-collectionneur-et-linstitution\/"},"modified":"2016-02-10T14:56:44","modified_gmt":"2016-02-10T13:56:44","slug":"la-relation-entre-le-collectionneur-et-linstitution","status":"publish","type":"post","link":"https:\/\/www.lillegrandpalais.com\/leblog\/destinationlille\/la-relation-entre-le-collectionneur-et-linstitution\/","title":{"rendered":"La relation entre le collectionneur et l\u2019institution"},"content":{"rendered":"<p><strong>Lieu d\u2019\u00e9changes entre artistes, collectionneurs et amateurs d\u2019art, Art Up\u00a0propose aussi <a href=\"https:\/\/www.lillegrandpalais.com\/leblog\/la-relation-entre-le-collectionneur-et-une-jeune-galerie\/\" target=\"_blank\" rel=\"noopener noreferrer\">des conf\u00e9rences th\u00e9matiques<\/a>. Quelle est la relation entre le collectionneur et l\u2019institution ? On en parle avec Michel Poitevin, fondateur et directeur de Creed, une entreprise lilloise d&rsquo;\u00e9tudes de march\u00e9, Isabelle de Maison Rouge, historienne de l&rsquo;art et Sophie L\u00e9vy, directrice-conservatrice du LaM.<\/strong><\/p>\n<p><strong><a href=\"https:\/\/www.lillegrandpalais.com\/wp-content\/uploads\/2016\/02\/maxdufour-artup-2015.jpg\"><img decoding=\"async\" class=\"alignleft  wp-image-16195 lazyload\" data-src=\"https:\/\/www.lillegrandpalais.com\/wp-content\/uploads\/2016\/02\/maxdufour-artup-2015.jpg\" alt=\"maxdufour_artup_2015\" width=\"340\" height=\"227\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 340px; --smush-placeholder-aspect-ratio: 340\/227;\" \/><\/a>A l\u2019origine du mus\u00e9e, une collection.<\/strong> <em>\u00ab\u00a0Nous devons notre existence aux collectionneurs\u00a0\u00bb<\/em>, lance Sophie L\u00e9vy, directrice-conservatrice du mus\u00e9e d\u2019art moderne, d\u2019art contemporain et d\u2019art brut (LaM) depuis 2009. Pourtant, rares sont les mus\u00e9es dont la naissance est li\u00e9e \u00e0 une collection. <em>\u00ab\u00a0Au LaM, avant la collection il n\u2019y avait rien. Le premier don de la collection Masurel a \u00e9t\u00e9 constitu\u00e9 de 400 \u0153uvres, tous des chefs-d\u2019\u0153uvres. C\u2019est ce qui a sign\u00e9 notre lien tr\u00e8s fort avec les collectionneurs\u00a0\u00bb<\/em>, se souvient-elle.<\/p>\n<p>Des collectionneurs tr\u00e8s pr\u00e9sents au sein du mus\u00e9e. <em>\u00ab\u00a0Nous avons instaur\u00e9 un cercle de collectionneurs, qui ne se contente pas d\u2019aider financi\u00e8rement \u00e0 l\u2019achat d\u2019\u0153uvres, mais qui propose de d\u00e9couvrir des \u0153uvres et des artistes. En s\u2019impliquant de cette mani\u00e8re, il est fascinant de constater que le travail des collectionneurs rassembl\u00e9s est tr\u00e8s proche du travail des conservateurs. Ils posent un regard sur notre collection pour en comprendre la ligne de force, les enjeux auxquels nous sommes confront\u00e9s ainsi que notre responsabilit\u00e9, jusqu\u2019\u00e0 parvenir \u00e0 un choix \u00bb<\/em>.<\/p>\n<p><strong>Une \u00e9volution depuis 20 ans.<\/strong> En grand collectionneur, Michel Poitevin a vu les choses \u00e9voluer. Il se souvient d\u2019une exposition en 1995,\u00a0\u00ab\u00a0Passions priv\u00e9es\u00a0\u00bb, \u00e0 l\u2019initiative de Suzanne Pag\u00e9, \u00e0 l\u2019\u00e9poque conservatrice en chef du mus\u00e9e d\u2019art moderne de Paris. <em>\u00ab\u00a0Cette collection \u00e9tait uniquement constitu\u00e9e d\u2019\u0153uvres issues de collections priv\u00e9es de 1900 \u00e0 1985. Selon moi, il y a eu \u00ab\u00a0un apr\u00e8s\u00a0\u00bb cette exposition. Susanne Pag\u00e9 a d\u00e9montr\u00e9 qu\u2019il existait en France des collectionneurs actifs, dynamiques et entreprenants\u00a0\u00bb<\/em>. Aujourd\u2019hui, l\u2019institution fran\u00e7aise et le collectionneur priv\u00e9 sont tr\u00e8s li\u00e9s. Isabelle de Maison Rouge\u00a0se demande : <em>\u00ab\u00a0Les collectionneurs actifs autour d\u2019un mus\u00e9e participent au financement de ce mus\u00e9e. Mais existe-t-il encore des collectionneurs pr\u00eats \u00e0 faire des dons ?\u00a0\u00bb<\/em>. <em>\u00ab\u00a0Actuellement, dans la dynamique de la r\u00e9ouverture de notre mus\u00e9e, nous recevons des dons pour l\u2019art brut. Ce qui n\u2019est plus le cas de l\u2019art contemporain ni de l\u2019art moderne\u00a0\u00bb<\/em>, r\u00e9pond Sophie L\u00e9vy.<\/p>\n<p><strong>Les collectionneurs, \u00e0 l\u2019avant-garde.<\/strong> Dans la salle, un auditeur note que de nombreuses \u0153uvres auraient sans doute disparu s\u2019il n\u2019y avait pas eu des collectionneurs pour les collecter. C\u2019est le cas de l\u2019art brut, selon lui, grand oubli\u00e9 des institutions. Pourtant, le travail des collectionneurs en mati\u00e8re d\u2019art brut a \u00e9t\u00e9 remarquable et bien souvent \u00e0 l\u2019avant-garde de celui des conservateurs. <em>\u00ab\u00a0Les collectionneurs sont toujours \u00e0 l\u2019avant-garde. Les nouvelles id\u00e9es, les nouveaux chemins viennent toujours d\u2019eux, rarement de l\u2019institution \u00bb<\/em>, r\u00e9pond Sophie L\u00e9vy, qui va plus loin. <em>\u00ab\u00a0Je trouve que le mus\u00e9e est un tr\u00e8s mauvais acqu\u00e9reur. Un mus\u00e9e a tout int\u00e9r\u00eat \u00e0 acqu\u00e9rir une collection constitu\u00e9e, qui poss\u00e8de une \u00e2me, une vie. Quand un collectionneur veut que sa collection soit l\u00e0 pour toujours, il peut compter sur le mus\u00e9e. Les \u0153uvres finissent toujours par revenir au mus\u00e9e. Nous les attendons patiemment pour leur donner ce suppl\u00e9ment d\u2019\u00e2me qu\u2019est l\u2019\u00e9ternit\u00e9\u00a0\u00bb<\/em>.<\/p>\n<p>D\u00e9couvrez la vid\u00e9o de la conf\u00e9rence Art Up : \u00ab <a href=\"https:\/\/www.youtube.com\/watch?v=HfvZGybNc64\" target=\"_blank\" rel=\"noopener noreferrer\">Le collectionneur et sa relation avec l\u2019institution<\/a> \u00bb.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Lieu d\u2019\u00e9changes entre artistes, collectionneurs et amateurs d\u2019art, Art Up propose aussi des conf\u00e9rences th\u00e9matiques.<\/p>\n","protected":false},"author":1,"featured_media":4267,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[35],"tags":[322,595,596,5],"class_list":["post-4266","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-destinationlille","tag-art-up","tag-collectionneurs","tag-conference-art-up","tag-lille"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>La relation entre le collectionneur et l\u2019institution<\/title>\n<meta name=\"description\" content=\"Lieu d\u2019\u00e9changes entre artistes, collectionneurs et amateurs d\u2019art, Art Up propose aussi des conf\u00e9rences th\u00e9matiques.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link 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